Early twentieth-century China paired the local community to the world—a place and time when English dominated urban-centered higher and secondary education and Chinese-edited English-language magazines surfaced as a new form of translingual practice. Cosmopolitan Publics focuses on China’s “cosmopolitans”—Western-educated intellectuals who returned to Shanghai in the late 1920s...(展开全部)

芮哲非（Christopher A. Reed），美国加州大学伯克利分校东亚史博士，美国俄亥俄州立大学历史系副教授，1991—1993年上海社科院历史所访问学者。2004—2009年兼任《二十世纪中国》（Twentieth-Century China）主编。 张志强，南京大学信息管理学院出版科学系主任，南京大学出版研究院常务副院长，教授、博士生导师，美国哈佛大学博士后。

芮哲非（Christopher A. Reed），美国加州大学伯克利分校东亚史博士，美国俄亥俄州立大学历史系副教授，1991—1993年上海社科院历史所访问学者。2004—2009年兼任《二十世纪中国》（Twentieth-Century China）主编。 张志强，南京大学信息管理学院出版科学系主任，南京大学出版研究院常务副院长，教授、博士生导师，美国哈佛大学博士后。

In the mid-1910s, what historians call the "Golden Age of Chinese Capitalism" began, accompanied by a technological transformation that included the drastic expansion of China’s "Gutenberg revolution." Gutenberg in Shanghai is a brilliant examination of this process. It finds the origins of that revolution in the country’s printing industries of the late imperial period and ana...(展开全部)

In the mid-1910s, what historians call the "Golden Age of Chinese Capitalism" began, accompanied by a technological transformation that included the drastic expansion of China’s "Gutenberg revolution." Gutenberg in Shanghai is a brilliant examination of this process. It finds the origins of that revolution in the country’s printing industries of the late imperial period and ana...(展开全部)

Visual Culture in Shanghai, 1850s-1930s is a study of formal and informal meanings of Haipai ("Shanghai School" or "Shanghai Style"), as seen through the paintings of the Shanghai school as well as other media of visual representation. The book provides us a point of entry into the nexus of relationships that structured the encounter between China and the West as experienced by...(展开全部)

This volume aims both to establish cinema as a vital force in Shanghai culture and to direct attention to early Chinese cinema, a crucial chapter in Chinese cultural history long neglected by Western scholars.

张英进，美国斯坦福大学比较文学博士，现任圣地亚哥加州大学文学系教授，上海交通大学人文学院访问讲席教授，曾任印第安纳大学教授。英文书籍包括专著《中国现代文学与电影中的城市》（1996，中文版2007）、《中国电影百科全书》（1998）、《影像中国》（2002，中文版2008）、《中国电影史》（2004）、《全球化中国的电影，空间与多地性》（2010），编辑论文集《中国比较文学论文集》（1998）、《民国时期的上海电影与城市文化》（1999，中文版2011）、《当代中国的另类电影文化》（2006）、《华语电影明星研究》（2010，中文版2011）、《中国电影指南》（即出）。另出版中文书籍《审视中国》（2006）、《电影的世纪末怀旧》（2006）、《多元中国》（2011）等，以及在中英文的学术期刊与论文集中发表的大量文章。

This new exciting book includes more than 170 previously unseen ‘ghost signs’ that have been fortunately captured by photography over t he past six to seven years through the cracks of the rapid urban regeneration in Shanghai. It is produced by The Type and three local photographers who have been tracking the ghost signs throughout Shanghai — Colleague Dong, Jiayu Shi and Jianw...(展开全部)

From teen dating to public displays of affection, from the "fishing girls" and "big moneys" that wander discos in search of romance to the changing shape of sex in the Chinese city, this is a book like no other. James Farrer immerses himself in the vibrant nightlife of Shanghai, draws on individual and group interviews with Chinese youth, as well as recent changes in popular me...(展开全部)